Content: battle

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I have had a morbid fascination with researching bizarre topics from a young age. Angels, demons, and halfbreed of myth and legend have always fascinated me. Add to this a vivid imagination and way to much time to think, and well, you end up writing novels. Please have at it and don't hold back in your reviews. Thank you for your time and advice.

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A Tree that grows a healing fruit, which cures everything short of death, is found and claimed by the Tierra. Greed, murder and civil war follow.

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The inspiration for this novel is the Victorian obsession with 'sanitising' history; changing, ignoring or deleting facts which they found unpalatable. One such myth is the belief that women did not go to sea in the ships of His Majesty’s Royal Navy. They did. Officially they were forbidden, but some captains and officers took their wives with them and allowed women to accompany some of their men. There were even enlightened masters who allowed troupes of resident prostitutes to sail on board to service the physical needs of the crew! Another myth is that the Royal Navy was an evil organisation run by sadistic officers handing out cruel, wicked punishments to men fed on putrid, rotting food who regularly indulged in acts of sodomy! The truth is, the royal Navy was a benevolent employer with a keen interest in the welfare of its men. Ships depended on vast amounts of healthy manpower to keep them afloat. Every ship carried a surgeon. Many of whom went on to become eminent physicians of their time and many discoveries and advances in medical science can be attributed to them. Injured sailors received a pension and, realising the value of healthy men, captains and pursers devoted much effort in procuring fresh water and food whenever possible. With the exception of voyages to America, West Indies or the Southern Ocean, ships were seldom far from land. The health and fitness of the men of the Royal Navy was a considerable contributing factor that enabled them to win every major engagement in which they were involved for over two hundred years. Britain did, indeed, rule the waves. It took a lot of manpower to work a man-of-war and every man was vital. A sailor flogged until his back bled was of no use at all, and the lash was used far more sparingly than we have been led to believe. Floggings did, however, occur when necessary. Discipline had to been maintained for the safety and efficient running of the ship and the most common offence was drunkenness, due to sailors hoarding or acquiring illicit supplies of alcohol. An inebriated sailor was a danger to himself, his mates and the ship. As water quickly became unfit to drink, sailors were, paradoxically, given a daily ration of beer and diluted rum which took care of their bodily need for fluids. The low alcohol content being worked off by the sheer physical nature of the work they had to do. Sailors, usually young men in their late teens and early twenties, had other bodily needs and the navy took care of that as well. Sexual frustration leading to fights, clumsiness and accidents was as much a hazard as drunkenness, storms or enemy action and not conducive to efficiency. As most voyages lasted about six weeks, sexual frustration, to the point of leading to sodomy, which was a hanging offence, did not occur. Prostitutes existed in abundance in every port and it was customary, before a ship sailed, to allow the women on board. 'Marguerite, Heroine or Whore' is at the moment, a working title. I am useless at coming up with good, imaginative titles that inspire the interest of would-be readers. The story is about Margaret, a destitute Huguenot silk weaver in eighteenth century London. When her husband fails to return from a rendezvous with someone offering him employment, Margaret goes in search of him and discovers that he has been pressed into service aboard a Royal Navy frigate. Having nowhere to go or means to support herself, she joins him on board but tragedy soon changes her circumstances. A naïve and righteous young woman she is determined to avoid the only salvation open to a woman in her situation and strenuously avoids descending into a world of prostitution but, in spite of her efforts to remain chaste, is raped and left with a child growing in her belly. A child that she believes, because of the circumstances of its conception, was sired by the devil. Adding to her misery she is afflicted with the scourge of the eighteenth century, the pox, the stigma of sin that could destroy her good looks and which she fears above all else. Sharing the trials and tribulations of a 'Jack Tar' Margaret survives a horrendous battle where, accredited with the killing of an enemy sailor, she assists the ship's surgeon in his grim task of amputating limbs and suturing terrible wounds. Called upon to interpret the language of a captured Frenchman Margaret is introduced to the soft comforts of gracious living and the low morality of the upper classes. In spite of her determination to avoid prostitution and unrequited love for the first lieutenant, she is abused by the captain. Unexpectedly finding the love of a decent man fate, however, is determined to deny her happiness. Following the cruel rape of slave women at the end of a voyage to the West Indies, she is attacked by men she once regarded her friends. Giving birth at sea to a child which, clearly, is not her man's, she is abandoned by him upon the ship's return to England. Once again alone, destitute and impoverished, hunger forces Margaret to forget her righteous principles and sell herself to anyone with cash in his pockets and lust in his loins. Determined not to remain a dockside molly, she sets out to attract a better clientèle and, as mistress to a gentleman, is presented to the most eminent fornicator in the land; His Royal Highness, The Prince Regent. Having climbed the social ladder, reaching the pinnacle of her hopes and dreams, fate cruelly intervenes when, in an argument with her benefactor, she believes she kills him and is forced to revert to her former means of survival; selling herself at the dockside gate. Now a fugitive, Margaret is determined to escape harsh, undeserved justice, and returns to the sea aboard a man-of-war commanded by Great Britain's most celebrated naval hero, Admiral Horatio Nelson. The story concludes with our heroin at Trafalgar and present at the death of the illustrious admiral and, having performed his dying wish, is denied her rightful place in British history.

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From the Ballad of the Bullet novel, A poem Anthony wrote in his bedroom as he prepares to confront Cree. Again, thank you and g-luck:)Z

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This is a subject that has haunted me since I was a small girl with two uncles in the Korean War. One who slept with a gun under his pillow so we had to be careful waking him. He would break out in a sweat and moan. Most likely reliving. Which is worse? Dying on a battlefield or the walking dying who live each day on the battlefield they left so long ago. What are the 'trues reasons man goes off to battle?' I would thing they are varied but I would venture they had no clue what they were getting into. Nor did they truly understand who and why they were killing. To question your government was simply not done. Those who did lived in fear and isolation. I have seen the walking dead. On street corners, silent in wheel chairs unable to meat the eyes of the onlookers. For what will he or she see? Disgust? Pity? Any true understanding how devastated these souls are and how for some, death would have been kinder. There is no way I can understand nor fully see into the heart and life of one at war. I can't. But I do recognize the horror when I see it reflected and the total lack of life in blank staring eyes who long ago gave up the will to get anyone to understand.

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Kiel Thrice-Loved reunites with his mother, and expresses his dissatisfaction with her captors . . .(To avoid confusion the squad leader has been given the name Carillon.)

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*************PLEASE TAKE NOTE, THIS HAS BEEN ABANDONED FOR THE RE-WRITE******************* (I have performed a major rewrite and changed the title.) This novel involves three lives caught up in the miserable web of slavery. Desperation and vengeance drive the three main characters: Alain Gravois, the son of a fisherman living in Nantes, France, struggles to become his own man; Osawe, a warrior, living in a small village situated between two warring kingdoms along the 'slave coast' of Africa, struggles to survive; and Assad, a moor, and military man, is betrayed by an empire that is being torn apart. France, the 'slave coast' of Africa, Morocco and Haiti are the backdrop to their story which spans twenty-three years, 1727 to 1750. All criticism is welcome.

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